[GWIKS Special Event] Minhwa, Marvelous Korean Folk Paintings

GWIKS Special Event

Minhwa, Marvelous Korean Folk Paintings

Wednesday, Jun 21, 2023

3:00 PM – 4:30 PM EDT

Hybrid Event

Elliott School for International Affairs

Room 505, 1957 E ST NW, Washington DC

Virtual via Zoom

This lecture sheds light on some of the unique charms of Minhwa (Korean folk painting) from a modern perspective. Unconventional and free-spirited decorative art popular in the Joseon Dynasty (1392-1910), Minhwa has recently caught on with modern Korean people. Amid the ongoing Korean wave or Hallyu, interest in Minhwa has also been growing outside of Korea and is becoming a major trend in contemporary Korean art. Minhwa could be said to be the most representative form of purely Korean art. A native art that stems from nature, Minhwa reflects the emotions, thoughts, and ways of life of the Korean people. It embodies the traditional style of free expression that has been going on for a long time in Korea. Minhwa consists of paintings driven by a rich popular imagination. As Koreans have dreamed of an equal world, many Minhwa images display a sense of resistance against a hierarchical society and rigidity. Minhwa paintings are full of symbols of happiness. Whereas most traditional Korean court paintings and literati paintings of the Joseon Dynasty represent Confucian ethics and ideologies, Minhwa paintings express practical and instinctive desires such as joy, wealth, success, and longevity. They are a spontaneous expression of the Korean sensibility.

Speaker

portrait of Jisoo Kim in professional attire

Byungmo Chung is an art historian specializing in Korean folk and genre paintings. He previously served as a Professor at Gyeongju University, a Visiting Scholar at Rutgers University, and as the President of the Association of Korean Folk Painting. He is the Head Director of The School of Minhwa. Noteworthy among his accomplishments is his organization of the Joseon Dynasty Chaekgeori exhibitions in 2016, hosted at prestigious institutions such as the Charles B. Wang Center in New York, the Spencer Museum of Art at the University of Kansas, and the Cleveland Museum of Art. From 2022 to 2023. He also curated Chaekgeori exhibitions in Europe, showcasing works by contemporary folk artists at esteemed venues, including the Nantes Korean Spring Festival in France, the Korean Cultural Center in France, the Korean Cultural Center in Spain, and the Kunsthistorisches Museum in Vienna, Austria. Chung has authored numerous articles and books on Korean folk and genre paintings, notably including “Chaesaekhwa: Polychrome Paintings of Korea.”

Moderator

portrait of Jisoo Kim in professional attire
Young-Key Kim-Renaud is Professor Emeritus of Korean Language and Culture and International Affairs, and Senior Advisor to the Institute for Korean Studies at George Washington University. She taught at GW for 32 years and served as Chair of the East Asian Languages and Literatures Department for the last 12 years of her tenure before retiring in 2015. She has published 13 books and numerous articles on Korean language/linguistics and Korean culture, history, and literature. She was President of the International Circle of Korean Linguistics (1990-1992) and Editor-in-Chief of its journal, Korean Linguistics (2002-14). Organizer of major cultural and academic events, she is the recipient of prestigious grants and prizes including three Fulbright awards, the Republic of Korea Order of Cultural Merit, and the Samsung Bichumi (Women of the Year) Award in Korea. She currently serves as President of the Korean Literary Society of Washington.

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